Alina Collins Maldonado
"Maldonado shifts seamlessly between characters making clear physical and vocal differentiation among her many characters. She is an adept and captivating storyteller.”
Pamela Roberts, BROADWAY WORLD
How We Got On
"Watching her swiftly navigate moments of sincere passion and explosive intensity was endlessly impressive - she tackled a very complex character with astounding finesse, and she enriched each scene with remarkable creative energy."
-UnProfessional Opinion
Jardin Salvaje
"Maldonaldo’s use of gesticulation and voice to embellish story passages, while seamlessly serving as all three of the characters’ fathers, is truly masterful.”
Maya Oliver, MDTHEATRE GUIDE
How We Got On
Alina Collins Maldonado showcases her distinct and strong stage presence once again as Maid Marian and Much. I've seen her in four shows in the last year and a half and her performances always wow me. This one is no exception.
Elliot Lanes, BROADWAY WORLD
Robin Hood
"Through her emotive eyes and flashing smile, Maldonado blends barrio swagger with tender vulnerability"
Ben Demers, DC THEATRE SCENE
The Last Days of Judas Iscariot
"endowed with an impressive emotional range, Maldonado sensitively projects a portrait of a young woman, brimming with passionate sensuality”
Rosalind Lacy, DC THEATRE SCENE
Los empenos de una casa
"It's a gutsy performance in that we don't expect it and yet, it works to great success."
Benjamin Tomchik, BROADWAY WORLD
The Last Days of Judas Iscariot
"She pulls this off on the strength of her charisma and total commitment each second she’s on stage."
Jessica Vaughan, DC METRO THEATER ARTS
How We Got On
"As the boastful, foul-mouthed, trash-talking Saint Monica, Alina Collins Maldonado sets the tone early for the high stakes court room hijinks and her spirited, scene stealing, historical revisionism that brings flava to Purgatory and laugh out loud laughs."
Sydney Chanele-Dawkins, DC METRO THEATER ARTS
The Last Days of Judas Iscariot