"Maldonado shifts seamlessly between characters making clear physical and vocal differentiation among her many characters. She is an adept and captivating storyteller.”

Pamerla Roberts, BROADWAYWORLD.COM

How We Got On

"Maldonaldo’s use of gesticulation and voice to embellish story passages, while seamlessly serving as all three of the characters’ fathers, is truly masterful.” 

Maya Oliver, MDTHEATRE GUIDE

How We Got On

"Through her emotive eyes and flashing smile, Maldonado blends barrio swagger with tender vulnerability"

Ben Demers, DC THEATRE SCENE

The Last Days of Judas Iscariot

Alina Collins Maldonado showcases her distinct and strong stage presence once again as Maid Marian and Much. I've seen her in four shows in the last year and a half and her performances always wow me. This one is no exception.

Elliot Lanes, BROADWAY WORLD

Robin Hood 

"endowed with an impressive emotional range, Maldonado sensitively projects a portrait of a young woman, brimming with passionate sensuality” 

Rosalind Lacy, DCTHEATRE SCENE

Los empenos de una casa

"She pulls this off on the strength of her charisma and total commitment each second she’s on stage."

Jessica Vaughan, DC Metro Theater Arts

How We Got On

"It's a gutsy performance in that we don't expect it and yet, it works to great success."

Benjamin Tomchik, BROADWAYWORLD.COM

The Last Days of Judas Iscariot

"As the boastful, foul-mouthed, trash-talking Saint Monica, Alina Collins Maldonado sets the tone early for the high stakes court room hijinks and her spirited, scene stealing, historical revisionism that brings flava to Purgatory and laugh out loud laughs."

Sydney Chanele-Dawkins, DC METRO THEATER ARTS

The Last Days of Judas Iscariot

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